TEA-BREAK OVER, BACK ON YOUR HEADS: NEWS
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BUT UK BOOK TOUR 2025
Right through March I'll be travelling around with a suitcase full of books (yes, a new book! See below) and an old guitar, visiting bookshops and venues – starting in the UK before heading over to the US. Here are the UK tour dates, with the US dates below. The venues and dates are now all finalised – some links to info will be updated when I get more information.
MARCH
Tue 4 – Pop Recs, Sunderland • Tickets and details
Thu 6 – October Books, Southampton • Tickets and details
Fri 7 – Hardess Studios, London • Venue website
Sat 8 – Blue Green Books, Hastings • Bookstore Facebook page
Sun 9 – Sound Affects, Brighton • Tickets and details
Mon 10 – Five Leaves, Nottingham • Tickets and details
Tue 11 – High Peak Bookstore, Buxton • Bookstore website
Wed 12 – Socialist Club, Bolton • Tickets and details
Thu 13 – Read, Holmfirth • Tickets and details
Fri 14 – Heron & Willow, Jedburgh • Tickets and details
Sat 15 – Greenhouse, Stockport • Tickets and details
Sun 16 – The Golden Lion, Todmorden • Tickets and details
Mon 17 – Online, Live to Your Living Room • Tickets and details
Tue 18 – The Old Woollen, Leeds • Tickets and details
It would be lovely to have you as an audience for these small events, since part of the thing will be having a conversation / Q & A about whatever you fancy talking about, be it Marcel Duchamp's Urinal, climate catastrophe, Burnley FC or Elon Musk. I've never done this before, – not like this, anyway. Should be fascinating. I've been to lots of book readings and I'm usually struck by the formality of it all – so hopefully these events won't be like that, they'll be loose and entertaining. I will bring jokes to fill the silences.
The barman says, "we don't serve time travellers."
A time traveller walks into a bar.
BUT USA BOOK TOUR 2025
This reminds me of the first time I went on tour in the States, disjointed, exhausting but fun, visiting the West Coast for the first time, a minibus full of wide-eyed northerners along with Eve Libertine and a heap of borrowed equipment.
MARCH
Sun 23 – The P.I.T., Brooklyn, NY • Details
Tue 25 – Arts At The Armory, Somerville, MA • Details
Wed 26 – The Word Is Change, Brooklyn, NY • Venue website
Thu 27 – Wooden Shoe, Philadelphia, PA • Venue website
Fri 28 – Arden Gild Hall, Arden, DE • Free ticket details
Sat 29 – Red Emmas, Baltimore, MD • Details
Sun 30 – Small Friend Books & Records, Richmond, VA • Bookstore website
Mon 31 – The Beautiful Idea, Charlottesville, WV • Venue Facebook page
APRIL
Tue 1 – Taylor Books, Charleston, WV • Venue website
Thu 3 – Firestorm Books, Asheville, NC • Event details
Fri 4 – Community Books, Stone Mountain, GA • Venue Instagram
Sun 6 – Park Avenue CDs, Orlando, FL • Venue website
Wed 9 – Pegasus Books, Berkeley, CA • Venue website
Fri 11 – Bound Together, San Francisco, CA • Venue Instagram
Sun 13 – Northtown Books, Arcata, CA • Venue website
Tue 15 – Last Word Books, Olympia, WA • Venue website
Wed 16 – Left Bank Books, Seattle, WA • Venue website
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The book is a collaboration with designer/typesetter Christian Brett, who has worked recently with Penny Rimbaud, Sleaford Mods and Killing Joke. But possibly more relevant is the fact that I sit next to him for every Burnley FC home match. He's a sweary curmudgeon and his design and typesetting for the book is incredible.
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Click here to order your copy of the record.
Commoners are also working on new songs and ideas including a collaboration with Jeremy Deller and Paraorchestra as part of Bradford 25, a filmed performance with artist SIMONE BENNETT and a large-scale immersive day at Brierfield's Queen Street Mill with the brilliant RICKARD SISTERS.
More details of all these collaborations when I get them.
I'm enjoying getting stuck into the songwriting, even though most of the lyrics are John's (I really love and value writing lyrics!). I'm loving messing around with all sorts of different styles. Often at the start of a musical project – especially with theatre work – there's a loose template of style and instrumentation that is dictated by the play/project. So for Red Ladder's 'Mother Courage', I composed music around instruments that felt traditional and could be carried and moved along with Mother Courage's wagon... accordion, clarinet, percussion.
With 'Speedo Mick' it's all very open, moving from power ballad to ska knees-up to acapella harmonies.
More about the musical here.
Later this year I'll be working with artist LUCY BERGMAN and a group of young local people to create an installation for the Museum's outside space, a place to discover and listen and find stuff out.
More on this as it develops.
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Busking in Paris, 1980